Wednesday, November 25, 2009
reworking a page...
Had a project on my computer, and one page was just eating me up inside. So I will be spending a bit of time reworking it.
Monday, November 23, 2009
Digital Pencils again
Wednesday, November 18, 2009
Digital Pencils...
Tuesday, November 17, 2009
really can't wait to finish and scan...
still going
underpainting done
Friday, November 13, 2009
thought I forgot, didn't you?
I while ago I got started laying down pencils for a painting, and then I had to focus on a bunch of other stuff. Obviously I haven't gotten much further, but I have toned the paper and started laying in darks. I will be taking one of my days off next week to focus only on this, and should be able to mostly knock it out, so remember to check back.
My big ol' light table covered in in-progress and failed attempts... I should be using this guy next week also, and will have to clear it off.
My paint, pallet area for my painting.
My big ol' light table covered in in-progress and failed attempts... I should be using this guy next week also, and will have to clear it off.
My paint, pallet area for my painting.
Tuesday, November 10, 2009
Practice sketching
Honestly, until the last few weeks I never really inked with a brush to any large extent. My education in inking involved tech-pens. Since I decided I'm going to do "Stretch of the Imagination" largely in brush, Ive been practicing a bit.
This was done all in brush...
and this was me playing around with coloring it.
Now it's time for me to get to penciling pages.
This was done all in brush...
and this was me playing around with coloring it.
Now it's time for me to get to penciling pages.
Monday, November 9, 2009
Thumbnails: Part 2 the revenge
Here's some more thumbnails connecting to what I posted yesterday, plus a second 2 page comic that would lead into it. This time I'm going to be less talky-talky.
Now to get to doing some digital pencils.
Now to get to doing some digital pencils.
Labels:
comic,
comic book,
Stretch of the Imagination,
thumbnails
Sunday, November 8, 2009
My Process Step 002
Alright, I figure since I shared the first step of making this strip, I will do my best to keep folks updated in the process till the finish(this will also crack the whip on me getting this done).
This is the thumbnail stage. Since I'm basing this on an idea that I scribbled for myself, based loosely on myself, in this stage I tare apart, rearrange, expand and contract on the text. Dialogue is still up in the air, but space still has to be considered for the text to go.
Here are a couple of brush warm-ups, about 2.5"x1.5" I did at the start of this to get myself in the mood.
The actual thumbs are done in a mix of blue pencil and ball-point pen at 3"x4".
The first page of the comic is just there to set a bit of the fantasy element of the story and to establish the time of year and maybe implant a little bit of craving.
Since I avoided an establishing shot on the first page, I needed to set up the environment that the story would take place in. That's the only real pupose I set for this page.
I know in on the third page that I'm going to put down some narration where the dialogue is gonna wander around a bit, then return the reader to the story.
The fourth page is when fantasy and reality will begin to overtly mix.
I set some restrictions on what I can do on the page (firm belief in the idea that people become more creative when they need to find ways to work around limitations). The main rule for myself was that I would work in a twelve panel grid. No page so far actually uses twelve panels, but the grid format seems to fit a horizontal composition really well.
A bit more of this story to create, I'll post up the final few thumbs tomorrow.
This is the thumbnail stage. Since I'm basing this on an idea that I scribbled for myself, based loosely on myself, in this stage I tare apart, rearrange, expand and contract on the text. Dialogue is still up in the air, but space still has to be considered for the text to go.
Here are a couple of brush warm-ups, about 2.5"x1.5" I did at the start of this to get myself in the mood.
The actual thumbs are done in a mix of blue pencil and ball-point pen at 3"x4".
The first page of the comic is just there to set a bit of the fantasy element of the story and to establish the time of year and maybe implant a little bit of craving.
Since I avoided an establishing shot on the first page, I needed to set up the environment that the story would take place in. That's the only real pupose I set for this page.
I know in on the third page that I'm going to put down some narration where the dialogue is gonna wander around a bit, then return the reader to the story.
The fourth page is when fantasy and reality will begin to overtly mix.
I set some restrictions on what I can do on the page (firm belief in the idea that people become more creative when they need to find ways to work around limitations). The main rule for myself was that I would work in a twelve panel grid. No page so far actually uses twelve panels, but the grid format seems to fit a horizontal composition really well.
A bit more of this story to create, I'll post up the final few thumbs tomorrow.
Labels:
auto-bio,
comic book,
comics,
Stretch of the Imagination,
thumbnails
Thursday, November 5, 2009
Ink Sketch: Stretch of the Imagination
Doing some prep work for my "Stretch of the Imagination" idea. Since the stories I write will involve me, this includes the first self-portrait that I've done in a few years. The drawings in this picture were done with a brush pen(pentel black 101) and an Office Max gel pen 0.7. It feels good to get back to messy materials, but I have to remember to be carefull not to smear the ink as I work... especially with the gel pen.
Wednesday, November 4, 2009
Final One for the night
Last character sketch I'll be posting tonight... maybe not the last one I'll do, but it's time to get away from the computer for a bit.
Labels:
character sketch,
comic,
comic book,
Elizabeth Genco,
The Kiss,
TOR.com
digital character sketch
decided to do my character designs for the characters of this story digitally, since I'll be working the entire project this way... and I really don't want any disconnect in my mind on the look of the thing.
Labels:
comic,
comic book,
Elizabeth Genco,
The Kiss,
TOR.com
A bit of something I'm thinking about...
A lot of what I've done personally for comic work so far has been fairly superficial. I don't pretend to be a great writer, and when face with a deadline I go for cheap laughs or things of that sort. Does this mean I want to get really deep or philosophical... no, I just want to do a project about the stuff I know for the sake of doing it.
That being said, for a few weeks I've been popping an idea around my head called "A Stretch of the Imagination". Initially, I hope to take stories of events that have happened to me, and reinterpret them in hind-sight. I will always have a bit of me in science fiction, fantasy and horror and what I show on the page will reflect that. Eventually I would like to bring in guest writers to tell a story, and for me to loosely interpret that story through my own eyes.
I actually have a few sketches I posted earlier involving this project. It will be a chance for me to get back to inking traditionally, which is something I've been wanting to do for a long time.
Below is a short idea for one of the comics. It's written in short story form, with almost no dialogue added at this point. It is a scratched in outline that needs to be built up, cut down and reshaped; however, since I like to share my process I'm going to post it here.
That being said, for a few weeks I've been popping an idea around my head called "A Stretch of the Imagination". Initially, I hope to take stories of events that have happened to me, and reinterpret them in hind-sight. I will always have a bit of me in science fiction, fantasy and horror and what I show on the page will reflect that. Eventually I would like to bring in guest writers to tell a story, and for me to loosely interpret that story through my own eyes.
I actually have a few sketches I posted earlier involving this project. It will be a chance for me to get back to inking traditionally, which is something I've been wanting to do for a long time.
Below is a short idea for one of the comics. It's written in short story form, with almost no dialogue added at this point. It is a scratched in outline that needs to be built up, cut down and reshaped; however, since I like to share my process I'm going to post it here.
A Stretch of the Imagination:
A Glass of Pumpkin Ale
by John Bivens
God I craved it. Trying to think of what set me off... the time of year, the article I read, the smell of pumpkin pie cooking at my day job... I don't know. At some point memories of the previous year had started seeping into me in a random fashion.
Pumpkin ale is full bodied, the nutmeg assaults your nostrils as the sweetness fills your mouth. It tastes like fall, like Halloween, like Thanksgiving. Near me is one of the few micro-breweries (second oldest in the state of Illinois) that still uses real pumpkin to make their yearly batch. I remember last year, it was finally perfected. The minute the dark liquid hit my lips I have to believe that my eyes dilated and I saw everything that went into that glass.
Thanks to some publicity that the pub ad recently gotten from a local indie-paper, it seemed like the entire surrounding community was checking in weekly to find out if the batch was finished and the pumpkin ale was being served. Let it be known that I have mixed feelings about this publicity. I am happy that this place that I go to relax, eat good food, and drink some damn fine beer is given the credit it deserves; at the same time, these are invaders coming into a place I feel as comfortable at as I do sitting at my drafting table. My secret is revealed, and now I must share.
Two weeks ago I walked into the brew pub. For food I ordered my usual fall backs: pounder of fries with cheese, bacon and ranch, and a plate of sirloin bits (if I'm with a buddy we add on the Mediterranean Melange onto that) and ask one of my favorite bartenders if they have the pumpkin ale yet.
“Yes, finally I've had enough people asking about that stuff,” his New Jersey accent still hanging in there despite the mid-west transplantation.
I feel both excited to get my drink and sad that I've been one of those people. I place my order and within a minute have a pint in front of me. Everything I wanted this to be is spilling out, growing from the head of foam.
I smell it... the nutmeg is there. Not as pungent as I remember but it is definitely there.
I put my lips to the rim and tilt it back. I'm expecting nirvana, a slap in the face that may blind me. I set the glass down, and it's alright. Only alright. Is this batch different from last years... probably... even if it's not I convince myself that it is. Looking back on it, being two-weeks wiser, I built up that moment too much. I finished my pint, my food arrived, and I ordered a pint of “Big Bad” which is also a usual of mine. The bill was paid and I left thinking, “I wonder what it will be like next year.”
Tuesday, November 3, 2009
in progress (outlines)
More Digi-Inks
Monday, November 2, 2009
Popgun Volume 4
The Information to order can be found at the Popgun website. I'm included in this volume, doing a story with the wonderful Elizabeth Genco.
brush-sketch-portraits
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